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Introduction
Gianmario Borio / Serena Facci, Forty years after... A pluralistic
musicology for British rock
The
Cultural Landscape
John Covach, The Hippie Aesthetic: Cultural Positioning and Musical
Ambition in Early Progressive Rock
Franco Fabbri, Not at First Hearing. Progressive complexity
in English and American bands, 1960-1967
Veniero Rizzardi, Rock and the Composer's Self-Criticism
New Instruments and New Technologies
Christophe Pirenne, Romanticism vs Economy: Technologies and
the Growth of Progressive Rock
Lelio Camilleri, Loop, Transformations and Musical Space
Laura Leante, Multimedial Angles in Live Performance
Compositional Techniques
Mark Spicer, Genesis's Foxtrot
Allan Moore, Gentle Giant's Octopus
Vincenzo Caporaletti, Soft Machine's Third
Poetry and Lyrics
Dai Griffiths, Memorable Music, Forgettable Words? Dilemmas of
Song in British Progressive Rock between Underground and Mainstream,
circa 1972
Roberto Agostini / Luca Marconi, Voice, Melody and Lyrics in
Early British Progressive Rock
WORKSHOP: Compositional Techniques in Progressive
Rock Bands
Chris Cutler (Henry Cow)
Hugh Hopper (Sof Machine)
Toni Pagliuca (ex Orme)
ROUND TABLE: Compositional Techniques at Genres'
Crossoroad
Mario Garuti, Like Bored Angels
Maurizio Pisati, To teach and to trace utopy
Nicola Sani
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